Purple file box
The Mysterious Affair at StylesEmily Inglethorp’s purple despatch-case is both a household document box and a contested repository of evidence: its contents may explain the changing fortunes of the Cavendish family, while its lock and disappearance become central to Hercule Poirot’s investigation. First treated as a familiar place for important papers, it turns into an object whose custody, keys, and forced opening expose how vulnerable the investigation is to someone acting inside the house.
Purpose and Household Use
Emily kept important papers in the purple despatch-case. According to Dorcas, she usually brought it downstairs in the morning and took it back upstairs at night, making it part of her daily routine rather than a box kept permanently in one room. Dorcas also thought Emily would have put away a paper she had been holding in the case. Its ordinary role as a private repository therefore becomes relevant when Poirot tries to establish what Emily may have been carrying and where it might have gone.
The case mattered in particular because it could contain a later will. Emily’s will from the previous August left her entire fortune to her elder stepson, John Cavendish, with the family’s servants receiving smaller legacies. John explained that his father’s will already provided for Lawrence Cavendish to receive a considerable sum at Emily’s death, while John, who inherited the property, would need to maintain Styles. But Poirot pointed out that Emily’s remarriage automatically revoked the earlier will under English law, a point the lawyer confirmed. The case consequently held potential significance beyond the identity of a document: papers stored in it could bear on who would inherit Emily’s fortune.
The possibility of a later will was not speculative for long. When John and the lawyer prepared to search Emily’s papers, John said the purple case needed to be examined carefully, and Poirot stated that a later will existed. Dorcas recalled that Emily had called her and William into the room to sign at the bottom of a long paper, below Emily’s own signature; blotting paper covered the writing above. The case thus stood at the intersection of a private act of making a will and the family’s later uncertainty about what the document said and where it had gone.
Keys, Lock, and Investigation
During an early search of Emily’s room, Poirot found a key standing in the lock of the purple case. He removed it and showed it to Arthur Hastings, who saw an ordinary Yale-type key with a piece of twisted wire through its handle. Later, Poirot produced that same key to Dorcas and asked whether it was the one that had been lost. She recognized it, surprised that he had found it upstairs after she had searched for it. This recovery turned a seemingly mundane missing key into a clue about the case’s access and handling.
Poirot also selected a bright, shining key from a bunch found on the floor and tried it in the case’s lock. It fitted. He opened the box, hesitated, then shut and relocked it, putting both the bunch and the key originally found in the lock into his pocket. The action gave him control of the keys, but not the authority to inspect the papers: he acknowledged that he had no authority to go through them, while insisting that it ought to be done immediately. The distinction between having access and having permission would soon become consequential.
John later believed the case was locked because Poirot had secured it earlier that morning. When John lifted the lid, however, the case was open, though Poirot had both keys in his pocket. Examination showed that the lock had been forced. Since the room’s door had a comparatively ordinary lock, Poirot considered that another doorkey in the passage might have opened it; the apparent security of the room had not protected the papers inside the case.
Forced Opening and Missing Evidence
Poirot interpreted the forced lock as evidence that someone had returned to the room after his visit. In his view, a slight piece of evidence inside the case might connect the murderer to the crime, and the intruder had taken the risk of forcing the case because that material had to be destroyed before its significance was recognized. Poirot did not know what had been removed. He considered that it might have been a document, perhaps the scrap of paper Dorcas had seen in Emily’s hand, but presented that identification as a possibility, not a certainty.
The breach also marked a failure in Poirot’s own precautions. He reproached himself for leaving the case behind instead of taking it away, recognizing that its contents had become exposed during the interval when he was absent. His certainty that some important evidence had been targeted coexisted with uncertainty about what the missing item was and whether it had actually been destroyed. The object therefore changes function across the investigation: a domestic container becomes a possible crime scene, and then the measure of how far the investigator’s control has failed.
The case’s significance is deliberately bounded by that uncertainty. The investigation establishes that its lock was forced and that someone took the risk of entering Emily’s room, but it does not identify the missing paper simply by identifying the case as its likely hiding place. Its importance lies in the pressure it places on the inquiry: the papers might clarify the will and the crime, yet their custody and contents remain contested. In a mystery built from small clues, the case is at once a practical archive, a point of access, and a reminder that a clue’s value depends on preserving it long enough to be read.

